第十四屆廣州藝博會(huì)明開展 穗富豪抱團(tuán)提前搶名畫

【好展會(huì)網(wǎng)】 第十四屆廣州國(guó)際藝術(shù)博覽會(huì)經(jīng)過數(shù)月來的緊張備展，將于明日亮相白云國(guó)際會(huì)議中心。歐美價(jià)值千萬元的名畫來穗展出的消息一經(jīng)本報(bào)報(bào)道后，便引發(fā)市民的極大興趣，更有精明地產(chǎn)富豪通過關(guān)系提前賞畫議價(jià)。 <br> <br>據(jù)悉，來自歐美等國(guó)家和地區(qū)的國(guó)寶級(jí)畫作已密抵廣州，由于規(guī)模大、價(jià)值高，組委會(huì)方面透露“這些名畫享受的是外國(guó)元首級(jí)別的安保待遇?！? <br> <br>名畫享受外國(guó)元首級(jí)安保待遇 <br> <br>據(jù)主辦方透露，這次展覽同時(shí)迎來幾家國(guó)際知名畫廊典藏的名家油畫，各家分別藏有如夏加爾、柯羅、特勞蒂、菲思等大家作品，各參展商在開展前便互相打探各家寶貝，先玩起了價(jià)格競(jìng)猜的游戲，一些保密工作做得好的畫廊更是要在開幕當(dāng)天才能展示價(jià)值不菲的寶貝。為保證展會(huì)藝術(shù)品的安全，展會(huì)期間24小時(shí)會(huì)有逾百保安輪流值班，并作紅外線監(jiān)控。 <br> <br>美國(guó)西岸畫廊老板毛衣理坦言，這次帶來參展的名作較多，他們自配幾位身手不凡的“暗哨”保護(hù)名畫，這些高手以參觀者的身份潛伏在人群中，以便隨時(shí)策應(yīng)，如有觀眾忍不住上前撫摸畫作，這些“暗哨”會(huì)及時(shí)制止。 <br> <br>日前，藝博會(huì)首次發(fā)布會(huì)上主辦方透露的歐洲著名印象派畫家菲思(fritzfisher)的《閨房的守望者》一經(jīng)曝光，便引起市場(chǎng)高度關(guān)注，一些近年致力于藝術(shù)品收藏的廣州富豪隨即結(jié)隊(duì)派人與藏品方私下聯(lián)系，要求提前賞畫議價(jià)。 <br> <br>對(duì)此，藝博會(huì)項(xiàng)目總監(jiān)曹云還透露說，一些名畫正在越洋過海來廣州的路上，便有買家前去搶購為自己的珍藏了。但他們還是會(huì)盡最大努力讓這些受富商追捧的名作出現(xiàn)在廣大市民面前。 <br> <br>展出的珍品背后故事越多越誘人 <br> <br>據(jù)了解，本屆藝博會(huì)上有百余件展品是國(guó)內(nèi)畫商去年在海外抄底來的名家珍品。平日難得一見的寶貝在國(guó)內(nèi)規(guī)模展出尚屬首次。如馬克·夏加爾是與畢加索齊名的20世紀(jì)最著名的藝術(shù)家，許多作品被全世界各大博物館永久收藏，這次來穗的有《紫色的雄鳥》、《生日》、《司機(jī)》三幅版畫。 <br> <br>與此同時(shí)，不少藏家還貼心備至地展示畫作收藏的心路歷程，通過“背后的故事”吸引買家。此次攜精品參展的國(guó)際知名畫廊美國(guó)西岸畫廊老板毛衣理是廣州人，現(xiàn)已將畫廊開到大洋彼岸美國(guó)加利福尼亞名城。目前他正在對(duì)中國(guó)上世紀(jì)30~40年代流落海外的油畫作品進(jìn)行系統(tǒng)收藏，已有50余幅在手，其中一幅秦化的《抱貓咪的小女孩》在美國(guó)一莊園主家中，他三進(jìn)三出打動(dòng)藏主而收入囊中。從畫作上的圖章分析來看，這幅畫是上世紀(jì)50年代初從內(nèi)地輾轉(zhuǎn)香港后售出。毛衣理認(rèn)為自己作為中國(guó)人，有義務(wù)回購國(guó)人早期流失海外的油畫作品，不能讓中國(guó)油畫史早期油畫出現(xiàn)斷層而變得不完整。在去年和今年，他屢次下手抄底從歐美富商手中流放出來的名畫，收獲頗豐，他認(rèn)為現(xiàn)在仍是抄底的好時(shí)候，時(shí)下他正準(zhǔn)備聯(lián)手國(guó)內(nèi)富商再返歐美。 <br> <br>珍品搶先睇 <br> <br>珍品：T.Detang《金色的?！? <br> <br>展出單位：美國(guó)西岸畫廊 <br> <br>美國(guó)畫家T.Detang所作的《金色的?！芬曈X效果獨(dú)具魅力。畫卷空間大氣磅礴，遠(yuǎn)處海天鎦金，近景旋波微蕩，中景海浪熱情洋溢，互為動(dòng)靜，畫面和諧與完美交融在一起。 <br> <br>珍品：巴比松畫派大集合 <br> <br>展出單位：Classic簡(jiǎn)經(jīng)典西畫沙龍 <br> <br>“巴比松畫派”是歐洲19世紀(jì)最負(fù)盛名的風(fēng)景畫派。他們的實(shí)踐揭開了19世紀(jì)法國(guó)聲勢(shì)巨大的現(xiàn)實(shí)主義美術(shù)運(yùn)動(dòng)的序幕。在本屆藝博會(huì)上，廣州觀眾將可以欣賞到“巴比松畫派”代表人物的精美作品。 <br> <br>其他珍品： <br> <br>羅薩·包赫爾(Bonheur，法,1822~1899)的布面油畫《牧場(chǎng)的牛羊》，也堪稱難得一見的珍品。</span><br> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </p> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </FONT></td> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </tr> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </tbody> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </table> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </td> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; </tr> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <tr> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <td>
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